"an uncommonly deft combination of dance and verbal theater."

- Brian Seibert, The New York Times

19

Years

67

Cities

21

Countries

5

Continents

“Samar Haddad King deftly melds styles from hip-hop and ballet to social dance and acrobatics.”

- Hedy Weiss, Chicago Sun Times

“The YSDT dancers move like this often, tender yet aggressive; tenacious yet desperate. The body subverts itself, becoming both weapon and wound.”

- Cleo Abramian, Hyperallergic

People

Location: Palestine + NYC

Works for YSDT:   25 steps, Progression in 25, Madiba, Penelope, Noah, Frozen Belief, Hiyaat Noor, Lahom fil Hiyaat, Layered Identity, Liquid Renaissance, Skirt Dance, The Store, Still/Moving, Ummi, bound, The Playground, Against a Hard Surface, Last Ward, Losing It, 3 x 13 film, When the waves have come and gone, When fear is a raging bull, When all the children gather, Gathering: New York City, Coin Toss

Samar Haddad King, artistic/founding director of YSDT, graduated from the Ailey/Fordham BFA program under the tutelage of Kazuko Hirabayashi. Her work has been performed in 19 countries on four continents, with commissions throughout the US and abroad including Hong Kong Arts Festival (Hong Kong), Hubbard Street 2 (Chicago), Ramallah Contemporary Dance Festival (Ramallah), The Walk/St. Ann’s Warehouse (New York), Good Chance Theatre (Marseille), and others. Awards and fellowships include the Prix des Jeunes Créateurs Palestiniens pour la Diversité des Expressions Artistiques (Palest’In & Out Festival, Paris), La Fabrique Chaillot Residency (Chaillot – Théâtre national de la Danse, Paris), The Center for Ballet and the Arts at NYU, and Toulmin Creator (CBA/National Sawdust, NYC). Theater and musical theater credits include Dead Are My People (Noor Theatre, NYC) and We Live in Cairo (American Repertory Theater, Boston). She is a 2023 Creative Capital Wild Futures: Art, Culture, Impact awardee for her new multidisciplinary project Radio Act.

Founded YSDT in 2005

Location: New York City

Projects with YSDT: Frozen Belief, Hiyaat Noor, Lahom fil Hiyaat, Layered Identity, Liquid Renaissance, Skirt Dance, The Store, Still/Moving, Ummi, bound, Against a Hard Surface, Last Ward, The Playground, 3 x 13 film, When the waves have come and gone, When fear is a raging bull, When all the children gather, Gathering

Zoe Rabinowitz is the Executive Director and a founding member of Yaa Samar! Dance Theatre. Originally from Vermont, Zoe graduated from the Walnut Hill School for the Arts before earning her BFA in Dance from the Ailey/Fordham BFA program, with additional studies at De Amsterdamse Hogeschool voor de Kunsten (Netherlands). She has performed with artists including INSPIRIT: a dance company, JoAnna Mendl Shaw/Equus Projects, MBDance, The Movement Party, Nia Love/Blacksmith’s Daughter, Urban Bush Women, and Anne Zuerner. Her own work for stage and film has been presented throughout the US, and abroad in Austria, Bulgaria, Germany, Mexico, and South Korea. In recognition of her work as a leader in the non-profit field, Zoe was awarded a 2020 NYFA Emerging Leaders Fellowship and selected as a New York Community Trust Leadership Fellow in the same year. 

http://www.zoerabinowitz.com/

Founded YSDT since 2005 (founding company member)

Location: New York City

Projects with YSDT: Last Ward, When fear is a raging bull, Gathering, Noah

Born in Izmir, Turkey, Arzu Salman grew up in Charlotte, North Carolina where he received his primary performance education from Piedmont School of Music and Dance. In 2018, Salman graduated Magna Cum Laude from The Ailey School & Fordham University, where he received a BFA in Dance and a minor in Communications. He is presently a performer and teaching artist with Ballez Company, and Yaa Samar! Dance Theatre.

With YSDT since 2020

Location: New York City

Projects with YSDT: Gathering: New York City

Born in Malaysia & raised in Kuwait, Dahlia Khair grew up outside of the US as a Palestinian-Malaysian expat with her family. After receiving her B.S. in Biology from the University of North Carolina, she moved to New York City, working as an artist with United Talent Agency. She has had the opportunity to work with choreographers such as Mandy Moore, Tanisha Scott, Brian Friedman, Charm LaDonna, Luam Keflezy, and more! Dahlia has also been featured on GQ Middle East, Paper Magazine, NatGeo, and Schön Magazine as an upcoming artist, and has most recently been awarded the GALLIM Moving Artist Residency in 2022.

With YSDT since 2024

Location: Durham, North Carolina

Projects with YSDT: The Store, Frozen Belief, Skirt Dance, Penelope, Lahom Haq, 3 x 13 film, Last Ward

Kristin Clotfelter co-directs Studio C Projects, a collaborative investigating intersections of movement, design and performance; is Associate Artistic Director of Barriskill Dance Theater School, and teaches dance at Duke University. Kristin has been a member of Yaa Samar! Dance Theatre since 2005 and Susan Marshall & Company since 2011. Additional performance credits include: The Metropolitan Opera, The Santa Fe Opera, State Theater of Kassel in Germany, and Punchdrunk’s off-Broadway show, Sleep No More (as Lady MacDuff). She has been awarded residencies through Durham Independent Dance Artists, Tobacco Road Dance Productions, and Dance Omi. Kristin holds a BFA with honors and a minor in Visual Arts from the Alvin Ailey/Fordham University program and an MFA from the University of the Arts. http://studiocprojects.com/

With YSDT since 2005 (founding company member)

Location: Askar Camp, Palestine

Projects with YSDT:  bound, The Playground, Against a Hard Surface, Last Ward, 3 x 13 film, Gathering, Coin Toss Noah

Mohammed has won various break-dance battles in Palestine and been involved in many international and local projects including: Badke, a co-production between KVS, le ballets  C de la B & A.M. Qattan Foundation and directed by Koen Augustijnen, Rosalba Torres & Hildegard De Vuyest (2013-16 Brussels, Belgium and international tours); B by Koen Augustijnen and Rosalba Torres Guerrero (2016-2018 South Africa, Italy, Germany, Belgium, and France); Nomads Dance Camp directed by Dina Abu Hamdan with choreographers Jorge Crecis, Taoufiq Izzediou, and Samar Haddad King (2014, Jordan); Naji alli with Botega Dance Company directed by Enzo Celli (2009, Italy); Floor wars Battle champion (2012; Copenhagen, Denmark); The Playground by YSDT directed by Samar Haddad King (2013, Palestine and 2018, Belgium); and festivals in Spain and Greece touring Palestinian traditional dance (2004-2005). Mohammed is also a puppeteer for the Walk with Little Amal.

With YSDT since 2013

Location: M'ylia, Palestine

Location: M'yilia, Palestine

Projects with YSDT: non/static aesthetics, bound, Against a Hard Surface, Last Ward, 3 x 13 film, Losing It, When the waves have come and gone, Gathering: New York City

Samaa Wakim is a performer, choreographer and cultural manager based in Haifa. Graduated from Gaton Dance School and the acting department of Haifa University. She has performed in various local and international performances such as: I am Yusuf and This is My Brother a co-production of the Shibir Hur and the Young Vic Theater (London 2009); The Beloved, a co production of Shibir Hur and the Bush Theater (London, 2012); Exit & Ble Ble Bel, Khashabi Theater (Palestine, 2011); Badke a co-production between the Palestinian A.M.Qattan foundation and KVS Theater in Brussels and Les ballets C de la B (Belgium 2012-2017); Bound a co-production of Yaa Samar! Dance Theatre and Sareyyet Ramallah (Ramallah 2014); Against a Hard Surface by Yaa Samar! Dance Theater and Amir Nizar Zuabi (Palestine 2017); Modern Curses, co-directed and choreographed by Bashar Murkus and Wakim, and produced by Khashabi Theater (Haifa 2018); Last Ward by Yaa Samar! Dance Theatre (Paris 2018); The Cabaret by Khashabi theater (Haifa 2018); The Father by Al Jawal theater (Haifa, 2021); Losing it, co-directed with Samar Haddad King, produced by Theaterformen, (Hamburg 2021). She is a production manager of Haifa Independent Film Festival 2019 & 2023 and member of Yaa Samar! Dance Theater (since 2014) and Khashabi Theater (since 2008).

With YSDT since 2014

Location: New York City

Projects with YSDT:  Last Ward, when fear is a raging bull, Gathering

Waseem Alzer has been a performer and teaching artist with YSDT since 2022. He firmly believes in the transformative power of theater to change the world.

With YSDT since 2020

Location: Japan + NYC

Projects with YSDT: Against a Hard Surface, Among the Ruins, bound, Frozen Belief, Hiyaat Noor, Layered Identity, Skirt Dance, The Store, Last Ward, The Playground, 3 x 13 film, When the waves have come and gone, Gathering: New York City

Yukari Osaka is originally from Kobe, Japan. Yukari began her dance career at Sadamatsu-Hamada Ballet in Japan. She has danced for Yaa Samar! Dance Theatre as a founding member since 2005. Osaka has appeared in various dance/theatre festivals and productions including Dance Biennale Tokyo (Japan), Downtown Dance Festival (NY, USA), Ramallah Contemporary Dance Festival (Palestine), opera Les Contes D’Hoffmann at the Metropolitan Opera and musical Phantom among others. She is also a Director of ENTERART a dance performance project based in Kobe, Japan. Yukari recently co-directed a performance at the renewal opening ceremony of the most traffic-filled Sankita Plaza in Kobe, Japan. Yukari is currently a puppeteer with the Walk with Little Amal.

With YSDT since 2005 (founding company member)

Location: Jerusalem, Palestine + Denmark

Projects with YSDT: Against a Hard Surface, The Playground, Last Ward, Gathering: Jenin, Coin Toss

Past: Yousef Sbeih is a Jerusalem, Palestine based dancer. He received a BA degree in Marketing & Business from Birzeit University (2015), and participated in Yante Youth, Art & Levante, I-Can-Move training of trainers program to become a Community Dance Trainer in 2014-15. In 2016 Yousef worked as a dance teacher at Sareyyet Ramallah as well as a trainer and Staff member in the production of AJAL performance in Berlin. He has performed in several productions including: Maqamat Beit El Raqs Dance week in chouf, Lebanon (2016), Intifada#3 (2016), Opening of the Palestinian museum (2016), Sideways Rain (2016), Smoked Fish (2015), Serendipity (2014). Yousef was an apprentice with Carte Blanche–The Norwegian National Company of Contemporary Dance in 2017.

With YSDT since 2016

Nizar headshot

Location: London, UK

Projects with Samar Haddad King: Against a Hard Surface (YSDT), Last Ward (YSDT), Opening of the Palestinian Museum, Dry Mud, a visual concert (Shiber Hur); Azza (Shibur Hur) and The Lanterns of the King Galilee and Asmahan (Palestinian National Theatre el-Hakawati);Hoota (Sard), The walk productions: when the waves have come and gone, when fear is a raging bull, when all the children gather
Amir Nizar Zuabi is an award winning Theater writer & Director and Artistic Director of ShiberHur theater company, an associated director of Young Vic London, and a member of the United Theaters Europe for artistic achievement. Writing and directing credits include I am Yusuf and This is my Brother, In the Penal Colony, Alive From Palestine, Oh My Sweet Land, The Beloved,(co-produced by ShiberHur/Young Vic) Azza, West of us the sea, Mid Spring Musical, Dry Mud (ShiberHur), and Against A Hard Surface (YSDT). Directing credits includes: Samson and Delilah (Flanders Opera, Antwerp) Jidarriya by Palestinian poet Mahmoud Darwish (Edinburgh International Festival, Bouffes du Nord and world tour). Forget Herostratus, le Mallade Imaginer, War or More, Sneeze, Deep Sorrow, Fall Tale, When The World Was Green, The Lanterns Of The King Of Galilee, Taha, Comedy of Errors (Royal Shakespeare Company). Currently Zuabi is writing a play for the National Theatre London and Artistic Director of The Walk with Little Amal.

Collaborating with YSDT since 2016

Location: New York City

Projects with YSDT: Last Ward, When fear is a raging bull, Gathering, and general design

Devi Penny is a Brooklyn-based artist and brand marketing strategist. She trained as an art photographer at Syracuse University, and has worked on campaigns and events for American filmmaker Spike Lee, American Photographer Kate Simon, International supermodels Irina Shayk and Kate Upton, as well as Jarvis Landry of the Cleveland Browns (NFL). She was head of studio production at the agency The Lions before launching her own studio for creative services (Soft Launch). She has worked with companies including Viacom (MTV), Nickelodeon, Vogue, Women’s Wear Daily (WWD), Billboard Music, Whale Dolphin Conservation (WDC), Universal Music Group (UMG), and Wilhelmina International Inc.. www.softlaunch.studio

With YSDT since 2022

Location: New York City

Jess Ducey (they/them) is a writer, producer, fundraiser, and occasional clown. They co-chair the board of National Queer Theater and co-produce Down to Clown, a monthly show for new work development. Jess is currently producing multi-awarded solo show A Drag is Born and offering one-on-one fundraising consults at PhysFestNYC. They have previously worked with Moxie Arts NYC and Clown Gym, toured shows to Edinburgh Fringe, and co-founded Queer AF, Wellington, NZ’s first festival of queer art. Jess has been fundraising for over twenty years, including grants, events, and several years advising arts campaigns for Aotearoa New Zealand’s first crowdfunding platform. Their writing has appeared in Radio NZ, Landfall, and off-Broadway in Primary Stages’ Echoes emerging playwrights residency.
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With YSDT since 2024

Muaz headshot

Location: Jerusalem, Palestine

Projects with YSDT: bound, Against a Hard Surface, Last Ward, I am, Gathering

Muaz Aljubeh is a Jerusalem based, Palestinian lighting designer who has been working in the field since 1995. He was the technical director for Al-Kasaba Theatre and Cinematheque for almost 20 years and is currently the technical director for the Ramallah Contemporary Dance Festival since its founding in 2006. He has created light for more than 30 local productions, which have toured nationally and internationally. His work has been seen in notable theaters and festivals such as Tokyo Art International Festival (Japan), Carthage theatrical Days Festival (Tunisia), Young Vic Theatre (United Kingdom), The Avignon Festival (France), and the Institute De La Monde Arab (France). Currently, Muaz is also the technical director for Khashabi Theatre and The Walk with Little Amal.

With YSDT since 2014

Location: New York City

Projects with YSDT: Frozen Belief, Hiyaat Noor, Lahom fil Hiyaat, Liquid Renaissance, Skirt Dance, The Store, Still/Moving, bound, When fear is a raging bull, Gathering

Stephanie Sutherland (she/her) is a proud founding member of YSDT, and is thrilled to be part of the production team as Assistant Director of Gathering. Previously, she served as Rehearsal Director and assistant to Samar Haddad King on YSDT’s collaboration with Little Amal’s The Walk NYC (2022). As a dancer/actor/singer, she has worked all over the world in dance, theater, film/tv, fashion, music, and comedy. Stephanie is also a certified Intimacy Director through IDC, movement director, and choreographer for theater, film, and opera. She is a graduate of the Fordham University/Alvin Ailey BFA program, and continues to work with Fordham as a guest lecturer. Highlights include: performing- YSDT; Jennifer Muller’s The Works; “People, Places, & Things” (off-Broadway); intn’l tour of West Side Story with La Scala Opera; BodyStories Dance; Grounded Aerial Dance Theater. Intimacy Direction & Choreography- La Rondine; La Finta; Orphee; Midsummer Night’s Dream; Down the Road; The Wedding Gift; Entertaining Mr. Sloane. For more information visit stephaniesutherland.com, or @stephaniesland.

With YSDT since 2005 (founding company member)

Current works

"Samar Haddad King’s propulsive choreography [is] equal parts rave stomping and sensuous writhing."

- Bob Verini, New York Stage Review

“The process the dancers went through creating Getting there, staying here was transforming. I watched Samar push the [Hubbard Street] second company both physically and emotionally. There was a visible growth of artistry.”

- Taryn Kaschock Russell,  The Juilliard School

“King's choreography is dynamic and athletic"

- Nancy Grossman, Broadway World

Gallery

“[YSDT] defines the space within which human relationships take place. They shape the landscape of expectation and hope.... What ensues is unique, free of easy classification, and beautiful."

- Sara J. Hart, Explore Dance

“The combination of the dramatic subject matter and the technical ability and experience of [King's] dancers makes for an undeniable explosive combination.”

-Amanda Keller, idanz

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